- 2019
- Film Review
電影評論歷史的幽靈,在東南亞徘徊:談 2019 金馬影展選映之東南亞電影
The Spectrality of the Phantom in Wounded Histories: Review on the Southeast Asia Films selected from 2019 Golden Horse Film Festival/放映週報 Funscreen
選擇一條路,用自己的方法走:《分域大道》記錄香港雨傘運動之後
Review on Last Exit to Kai Tak by Matthew Torne/2019 Taiwan Int’l Human Right Film Festival
《寮國日常未爆彈》:日常的戰爭,戰爭的日常
Review on The Remnants by Paolo Barberi & Riccardo Russo / Giloo 紀實影音
我生來如此,這是我真實的樣子——《我就要這樣的我》
Review on That the Way I Am by Khin Thethtar Latt (Nora) / 2019 Taiwan Int’l Human Right Film Festival
在暗夜裡訴說的時代之聲——《青春巴黎不羈夜》
Review on Young and Alive by Matthieu Bareyre / 2019 Taiwan Int’l Human Right Film Festival
《柬埔寨之春》:見證現代化歷程下的集體宿命
Review on A Cambodian Spring by Chris KELLY/2019 TIDF Tour
- Interview 專訪專訪《熱帶雨》導演陳哲藝:雨,落在新加坡,陽光落在馬來西亞太平
Interview with Singaporean filmmaker Anthony CHEN the director of Wet Season / 56th Golden Horse Awards
專訪日本紀錄片導演原一男:弱者可能會依附權力,也可能對抗權力 read online
Interview with Japanese Documentary Master HARA Kazuo / Taiwan Film Institute - Film Appreciation Journal Vol. 179 Fa電影欣賞 2019 夏季號
在生命面前,我們應該謙卑——專訪《菠蘿蜜》導演廖克發 PDF
Interview with Malaysian Filmmaker LAU Kek-huat the Direcotr of Boluomi / Closing Film of 2019 Kaohsiung FF
專訪台北電影節焦點影人-印尼導演嘎林・努戈羅和
Interview with Garin NUGROHO the Director of Memories of My Body / Filmmaker in Focus of 2019 Taipei Film Festival
專訪鹿特丹影展金虎獎得主《完美現在時》導演朱聲仄
Interview with ZHU Shengze the Filmmaker of Present.Perfect/Winner of 2019 IFFR Tiger Award
藝術品租賃的思考:藝術銀行,讓創作自由流通——專訪國美館館長林志明、藝術銀行
Interview with Taiwan Art Bank/BIOS Monthly
- Column
The Affair 週刊編集01《當他們認真編織時》——愛讓我們擁有與「異己」共存的能力 Review on Close Knit by Naoko OGIGAMI
02《明月幾時有》:許鞍華的弦外之音 Review on Our Time Will Come by Ann HUI
03《親愛的大笨象》:一曲告別鄉愁的輓歌 Review on Pop Aye by Kirsten TAN
04《希望在世界另一端》:來自北國導演的暖心盼望 Review on The Other Side of Hope by Aki Kaurismäki
05 愛滋、病痛、死亡、肉身:《BPM》在愛與死之間的每一秒脈動 Review on BPM by Robin CAMPILLO
06《羊之木》:吉田大八的諾羅羅海濱小鎮 Review on The Scythian Lamb by Daihachi YOSHIDA
07《小偷家族》:在一起看花火的屋簷下偷點愛與溫暖 Review on Shoplifters by Hirokazu KOREEDA
08《翠絲》:在價值分裂的時代,尋求溝通與和解的可能 Review on Tracey by Jun LI
- BIOS Monthly
系列專題
精選 Selection|for all_
Filmmaker
01 阿比查邦的幻夢叢林 Reviews on Apichatpong Weerasethakul
02 阿莫多瓦,永遠離經叛道的電影頑童 Reviews on Pedro Almodóvar: Sex, Aesthetics and Politics
03 無處為家,難以歸類的電影創作者:香妲・艾克曼 Reviews on Chantal Akerman
Scene of Cinema
01 影展不只是放電影 Berlinale and IFFR: A Case Study for Film Education in Film Festival
02 歡迎一起觀看色情:色情影展和禁片 Exploring Porn Film Festivals
03 追求紀錄片中至高無上的幸福 Exploring Yamagata Documentary Int’l Film Festival
04 台灣國際紀錄片影展(TIDF)選片漫談 Interview Jury of 2015 TIDF
05 東南亞,未來的電影熱點 The Scene of Cinema in Southeast Asia
Art
01 當日本開始前衛:1960’s、獨立電影 ATG、松本俊夫 Exploring the Avant-garde in 1960s Japan
02 日治台灣的田野踏查與攝影術 Photography in Japanese colonization of Taiwan: Anthorpologist with Camera
03 穿梭斑斕的泰國藝術叢林 Contemporary Art Scene in Thailand: Bangkok and Chiang Mai
04 眼球世代:影像的博物館 How to Show How to See: George Eastman Museum, foam and Finnish Museum of Photography
- Essay 專文北愛爾蘭後工業城市的藝術基地大都會藝術中心 MAC/《回歸線Re-Turn》(嘉義市立美術館館刊創刊號)
More than Contemporary Art: Urban Development and Metropolitan Arts Centre in Northern Ireland
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- Synopsis Writing
電影片介May 臺北文學・閱影展:印度導演薩雅吉雷專題 Taipei Literature Film Festival: Satyajit Ray
Aug 台灣電影年鑑 2019 Taiwan Cinema Year Book
Dec 台北光點・美麗新世界影展 Brave New World
台北金馬影展 Taipei Golden Horse Film Festival - 2018, 2019, 2020
台北電影節 Taipei Film Festival - 2018, 2020
高雄電影節 Kaohsiung Film Festival - 2018, 2019, 2020
台灣國際女性影展 Woman Make Waves Film Festival Taiwan - 2018, 2020